First reaction – WOW! I have been editing with Premiere Pro for over six years, and have to say with this release, Adobe not only listened to the professional editor, they have also brought Premiere to the forefront of software-based editing applications.
A completely redesigned user interface eliminates desktop clutter, allowing an editor to focus on the job at hand. New keyboard shortcuts will make many Final Cut Pro editors who are transitioning to Premiere Pro CS6 feel right at home. The ability to stabilize shaky footage from within PPro is a real timesaver. The feature I have found very useful is the ability of PPro to keep playing the timeline while you move around in or out of the application. Nice touch Adobe.
The audio mixer display has been redesigned as well as the timeline VU meters – they give real-time update of levels as the timeline plays, so you can readily see how your levels change across playback. Very nice for creating great mixes!
The introduction of adjustment layers into PPro gives users the ability to set up effect layers without having to add effects to individual clips. This is a huge timesaver in previewing how different effects may look. Add multiple adjustment layers with various effect combinations and toggle the layers off and on during real-time playback —excellent for quickly previewing looks with an Art Director looking over your shoulder.
The addition of Speed Grade to the CS6 suite brings high-end color correction to the desktop. Not only can you achieve an initial first pass technical grade quickly, you can also apply or create custom looks that mimic those found on the big screen or primetime television. This alone is worth the price of the suite upgrade. Color correction is what makes a great edit into an award winner — having this integrated into the Adobe CS6 Suite is a real step toward a complete finishing package.
The CS6 Media Encoder has a completely redesigned interface that is easy to navigate and includes presets for broadcast, web and personal device video. Also, you can apply multiple presets to a single video source — again a huge timesaver. Did I mention background rendering? Not new to Media Encoder, however, being able to edit, work in
After Effects, Photoshop and background render is something I have come to expect from my edit system of choice — and Adobe keeps making the choice easier with each new release of its software.
For a full list of changes to the software, please visit: http://success.adobe.com/assets/en/downloads/guides/Pr_CS6_WN_Reveal.pdf










![photo[8] Hollywood Creative Forum](http://www.firstgencom.com/blog/wp-content/uploads/2012/04/photo8-300x224.jpg)
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